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One Good Turn by Kate Atkinson - Book Review

About.com Rating 4.5

From Bess Newman, for About.com

One Good Turn by Kate Atkinson

One Good Turn by Kate Atkinson - Courtesy Little, Brown

The Bottom Line

As the saying goes, one good turn deserves another. The title of Kate Atkinson’s novel, One Good Turn, could describe the way that one character’s Good Samaritan behavior leads to him being robbed, mistakenly identified as a murder victim, and more. His is only one of several plot threads this novel, which is a suspenseful journey through the underworld of Edinburgh. One Good Turn certainly deserves the attention of readers looking for a novel that’s superbly-crafted and beautifully-written.
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Pros

  • A fast-paced plot and intriguing twists keep the reader turning the pages.
  • Excellent writing makes this book a standout.
  • One Good Turn should appeal even to readers not normally fans of mystery or crime novels.

Cons

  • Graphic violence and a moderate amount of sex may turn off some readers.

Description

  • A car accident on a busy Edinburgh street—followed by an incident of road rage—sparks strange events
  • A seemingly-random group of witnesses turn out to be connected to each other in surprising ways
  • Strange things keep happening to those people, and they find themselves drawn into mystery
  • The narrative alternates between the points of view of different characters

Guide Review - One Good Turn by Kate Atkinson - Book Review

Matryoshkas, or Russian nesting dolls, are a recurring motif in One Good Turn. One of the several characters who narrates the novel muses that he would like to write a story in which plots and themes nest inside each other. That’s exactly what Kate Atkinson attempts in One Good Turn, a twist-filled, densely-layered and grippingly-paced crime novel.

The novel, set in Edinburgh, Scotland, starts with a handful of people witnessing a car accident. Everyone eventually clears the scene, but their lives continue to intertwine in ways that don’t always make sense to themselves or the reader. The Edinburgh that the characters inhabit is in the middle of a tourist influx for the annual Fringe festival, a world-renowned celebration of avant garde theater. The city that the reader sees, though, is in some sense the city that lurks behind the scenes of the festival, alternately suburban and gritty.

Atkinson’s writing is precise and gripping, but the real strength of the novel lies in the characters, who are much more developed than most characters in mystery and crime novels. Additionally, their intersecting storylines don’t feel forced or too coincidental. Atkinson’s first novel, Behind the Scenes at the Museum, won the prestigious Whitbread Book of the Year award, so she brings a serious literary approach to the excellent mystery she’s crafted. Like the matryoshkas, once you open this book you’ll find that each chapter draws you in the next, in search of the final doll.

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